Just me and you

We talk of past and present

In the future tense

Oh heaven sent we have the sense

To look ahead

Not to tear open

For some other scavengers

Not to bear any more their load

More so than their witness

We walk in steps

On quiet pavements

Under stars and sodium lights gathered

We skip across the gaps

To find a flat stone surface

Or a park bench

Or a stream

Just to sit, no more than that, for the moment

To listen to the night time

The silence of the hours

The spoken woken tokens

Of this rounded, founded, rarest love

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Later

Old or newly lit

Separate yet held together

Those never have been

Street scenes when back along

All and everyone else

Went back home to their beds

Neon lights, night music

Alcohol

And dreams

Shared as if forever

A simple song, a submarine with everyone

Yellow in the chorus

Young so so seemingly fits

Snugly

Untethered ever greens

Open the doors and the far away windows

For another go

On the carousel

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Pebble stones

Rolled up trousers

Trilby's on our knees

Flying kites

And maybe we might

Be floating on the breeze

Hammocks and hurricanes

Those old narrow chicanes of love

Lollipops and spotted frocks

And pigeons which look like doves

Walk towards the picture taker

Images so clear to freeze

Passing rites

And maybe we might

Be sitting on the leaves

Grandpapas and Aunty Jane's

Those lost remains of love

Hollyhocks and empty docks

Seagulls in the pigeon loft above

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Paint a thousand words

Some while ago I spoke about the limitations for the artist, the restrictions of his palette, of his two dimensional domain.

In contrast I spoke about the freedom of the poet, the writer; his endless choice of words, his multi-directional outlooks, or the limitless disarray of his languages.

Yet, here and now, with a simple plant pot and a few flowers, a mixture of greens and pinks and reds.

How little justice does he give, and how much worse is the tedious technical explanation; filled with Latin names and overblown prescriptive descriptions.

How much better then, even than a photograph, to ask the artist, with his water colours, to gently place layer upon layer.

To cast and capture the shadows, to flare out the blooms, to go right inside the nectar; there and then to give me the picture which I am today unable to recreate with words

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Observation Tower

This

Is the flight path

Of the butterfly

Wait

Where am I going

Which way

Should I turn; now or next

From leaf to hydrangea

Or statuette to clover

And then away, right away, far away

To leave you at peace

Without foreboding

Under the cloud-covered, smothered sky

Might I then

Once more return briskly

With my friend

By the plant pots

Do you remember

On television

The wooden tops

The flower pot men

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