The Dissertation Series comes nearer home, into its third round, with the poets response to Looking at Self an exhibition featuring Lucy Jones at the Usher Gallery - Lincoln, January 2007
Disaffected
Troubled, bent double, creased up without laughter
Bubble, creosote and stubble, the strong sense of ones lost temper
If I sit a thousand hours will it mean anymore
If I touched your crumpled skin or smelt old piss
Why would I
Better to turn away, steer clear
Make for certain not to be affected
Fall back into my shallow ways
Turn down the lights
Turn away from the musing
Most days I would try to write a poem; it is a practice, as I suppose is meditation, or smiling, or watching the world go by
Sunday, 3 April 2011
Saturday, 2 April 2011
Artistic Motivation - Postcard
The Dissertation Series continues, with the poets response, during the final visit of the second cycle, to the Poets in the Landscape exhibition featuring Various Artists, at the Pallant House Gallery - Chichester, May 2007
Postcard
Graham Sutherland on holiday with Peter Watson, John Craxton and Kathleen Sutherland
Three petals on white
Camouflage in shadow
Greens with blacks
Entrance to a lane
The picnic hamper is somewhere other
Of the gesture yawned at
By the overlapping seas
Waving in the settling sun
Who is to say
Let things come to rest
Or who is to say
Let things come otherwise
Postcard
Graham Sutherland on holiday with Peter Watson, John Craxton and Kathleen Sutherland
Three petals on white
Camouflage in shadow
Greens with blacks
Entrance to a lane
The picnic hamper is somewhere other
Of the gesture yawned at
By the overlapping seas
Waving in the settling sun
Who is to say
Let things come to rest
Or who is to say
Let things come otherwise
Thursday, 31 March 2011
Artistic Motivation - Head of House
The Dissertation Series, in its second cycle returns with a poets response to Natural Artifice by Alice Maher at the Djanogly Art Gallery, Riverside- Nottingham, June 2007
Head of House
House without doors
House without windows
House with no one
Inside or out
House,
Made of thorns
A protection of sorts
Or a suggestion
That home
Is all we have to cling to
Or that home is all we have
In our struggle to get away
Head of House
House without doors
House without windows
House with no one
Inside or out
House,
Made of thorns
A protection of sorts
Or a suggestion
That home
Is all we have to cling to
Or that home is all we have
In our struggle to get away
Wednesday, 30 March 2011
Artistic Motivation - To become a painter
The Dissertation Series continues in Belgium with a poets response to the Surreal and the Natural at the Ancient and Modern Exhibition with Various Artists from the Musee Royaux des Beaux-Arts, Brussels, May 2007
To become a painter
Angel du Nord
All over the papers
All over the skyline
The Blind Light of confusion
Drips from my brow
That these words
Are the headline story
Is your transient momentous reward
Nine years
Six alone in preparation
Watching the light
Through the seasons
Watching
Cows crossing the Lys
That these words
Caught the tearful story
Is your lasting posthumous reward
To become a painter
Angel du Nord
All over the papers
All over the skyline
The Blind Light of confusion
Drips from my brow
That these words
Are the headline story
Is your transient momentous reward
Nine years
Six alone in preparation
Watching the light
Through the seasons
Watching
Cows crossing the Lys
That these words
Caught the tearful story
Is your lasting posthumous reward
Tuesday, 29 March 2011
Artistic Motivation - Placement
The dissertation Series second cycle takes the poet back to Belgium to reflect on the spiritual works in Lumière et Intériorité by Pierre Deuse at the Cathédrale des Saints Michel et Gudule de Bruxelles - Brussels, May 2007
Placement
Straight lines
Frames arranged in a semi-circle
Around stone pillars and prayer rooms
Under arches and overhead vapours
You take your light
Through stained glass windows
Eulogise, from about now
Until…
Well some say
'It will be sometime soon'
Although
For those of a deeper persuasion
A little while longer dwells the silent clock
Placement
Straight lines
Frames arranged in a semi-circle
Around stone pillars and prayer rooms
Under arches and overhead vapours
You take your light
Through stained glass windows
Eulogise, from about now
Until…
Well some say
'It will be sometime soon'
Although
For those of a deeper persuasion
A little while longer dwells the silent clock
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