The Dissertation Series second cycle is in Spain at The Curve of Destiny Exhibition a poets response to artwork by by Jesûs Mari Lazkano, Guggenheim Museum - Bilbao, March 2007
Misinformed
Why do we need to explain, why do we need to intellectualise? Why do we need to say more about the art, than does the art itself? Does then the explanation become the significant part? Does the explanation, well presented, become the main event?
On the big screen
In the side stream viewing booth
The power of the moving image
The force of multi-media
A darkened space, a mood
A voice with timbre & only
A chosen number to view
No book
No guide
No historical perspective
Outwith of the one performed
For the indiscriminately invited patrons
Understand it my way seems to be the message
Or do not begin to imagine that you understand it anyhow at all
Most days I would try to write a poem; it is a practice, as I suppose is meditation, or smiling, or watching the world go by
Friday, 25 March 2011
Thursday, 24 March 2011
Artistic Motivation - Shadow Machine
The Dissertation Series continues its second cycle of a poets instant responses to art at the Abstraction - Extracting from the World Exhibition, Millennium Gallery - Sheffield, February 2007
Shadow Machine
Tick tock - stop
Please everybody slow down
Let's begin with a whisper
Tip - top, slow-down, stop
A pin point balance, rocking to and fro
The metronome swings towards home
Its shade travels ever so slight behind
For now it is the afterglow
Shadow Machine
Tick tock - stop
Please everybody slow down
Let's begin with a whisper
Tip - top, slow-down, stop
A pin point balance, rocking to and fro
The metronome swings towards home
Its shade travels ever so slight behind
For now it is the afterglow
Tuesday, 22 March 2011
Artistic Motivation - Aged
The Dissertation series second cycle responds to the Sojourn Exhibition featuring Derek Sprawson at the Bend in the River Gallery - Gainsborough, February 2007
Aged
Emeritus, older than fortune, older than tomorrow
Before faith
Deity
Columbine, twisted contortion, further than forever
Beyond hope
Sight
Kingdom of creation, taste of red wine, blue blood
Always with or without
Divinity
Beauties, moods, bittersweet emotions
Exiled by the hostility, lately
Of doubt or light
Aged
Emeritus, older than fortune, older than tomorrow
Before faith
Deity
Columbine, twisted contortion, further than forever
Beyond hope
Sight
Kingdom of creation, taste of red wine, blue blood
Always with or without
Divinity
Beauties, moods, bittersweet emotions
Exiled by the hostility, lately
Of doubt or light
Monday, 21 March 2011
Artistic Motivation - Line Drawing
The 2nd cycle of the Dissertation Series continues with a response to the Delineate Exhibition featuring Matthew Shelton at Dean Clough Gallery - Halifax, February 2007
Line drawing
Dark and once satanic
Yorkshire art in Yorkshire space
The derelict carpet canvasses rung out
Fettled back into a new loom of life
Not a time to make sense
I too missed my five minutes of fame
It needs more room
Clutter amongst clutter becomes cluttered
Art gallery
Insurance company headquarters
Utilitarian hotel
The exhibition
It will soon be about
Being settled, back here
Art
In place of life
Line drawing
Dark and once satanic
Yorkshire art in Yorkshire space
The derelict carpet canvasses rung out
Fettled back into a new loom of life
Not a time to make sense
I too missed my five minutes of fame
It needs more room
Clutter amongst clutter becomes cluttered
Art gallery
Insurance company headquarters
Utilitarian hotel
The exhibition
It will soon be about
Being settled, back here
Art
In place of life
Sunday, 20 March 2011
Artistic Motivation - Awkward but Useful
The Dissertation Series begins its 2nd cycle by responding to the Looking at Self Exhibiton featuring Lucy Jones at the Usher Gallery - Lincoln, January 2007
Awkward but Useful
Untouched by human hand
Kept at bay, always at a distance
Abused by aficionados
Held up on high, for paraplegic parasites
Pillars of establishment
With crooked views on impaired expectations
Sour water
I have drunk from the black bottomless well
Unmoved by human voice, held off
Always some for instance
Down I sink, deeper into the dungeon
Abducted for an exhibition with a catalogue
I am bound with words and pictures
Opened at random
Go away why don't you
Or else move in
Move in much closer
Don't stand, unmoved, at a distance
Awkward but Useful
Untouched by human hand
Kept at bay, always at a distance
Abused by aficionados
Held up on high, for paraplegic parasites
Pillars of establishment
With crooked views on impaired expectations
Sour water
I have drunk from the black bottomless well
Unmoved by human voice, held off
Always some for instance
Down I sink, deeper into the dungeon
Abducted for an exhibition with a catalogue
I am bound with words and pictures
Opened at random
Go away why don't you
Or else move in
Move in much closer
Don't stand, unmoved, at a distance
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